Whether a beginner or advanced Slate Digital VCC user, or you're just looking to see what a console plug-in could do for your tracks, watch "VCC 2. Marcus wraps it up with a tutorial on creative uses for VCC 2 using a bass guitar track as his example. Then Marcus returns to the plug-in, exploring the Noise Reduction, Group Bypass, and Gain Staging in VCC 2.
Since one of VCC's strength is it's ability to be recalled by your DAW, he shows you how to store default settings in Pro Tools. Audio engineers rely on analog mixing to provide the. From there, Marcus jumps right into using VCC 2 in a Mix, using different consoles and grouping options. The ConceptDespite the digital revolution in the audio industry, many of today's top commercial albums are still mixed on analog consoles. Marcus begins with an overview of the new GUI, comparing it to the previous GUI, and then.
Marcus begins with an overview of the new GUI, comparing it to the previous GUI, and then explains the various Meter Calibration options new to VCC 2.0. Slate Digital puts 6 classic analog consoles in your DAW, and studio guru Marcus Huyskens shows you how to use them This series explores the significant difference between VCC 2.0 and the previous version, and how to make the most of the new plug-in version.
Just in case you didn't know Slate VCC is an emulation of 4 famous consoles plus a certain tube console. Groove3 creates top-notch video tutorials for Logic Pro X, Pro Tools, Studio One, Ableton Live, Reason, Plug-Ins, Mixing and Mastering and more. I will try to avoid making too many strong statements myself as I am not even 100 sure how important of a place it holds in my set up. The Invisible Complexities of Translation. Slate Digital puts 6 classic analog consoles in your DAW, and studio guru Marcus Huyskens shows you how to use them! This series explores the significant difference between VCC 2.0 and the previous version, and how to make the most of the new plug-in version. Slate VCC is a divisive plug-in The concept itself brought into question by many.